A large statue depicting a hand with a protesting face, which dominated the square of Wellington in New Zealand for five years, draws the attention of the mayor's office and sadness from those who loved it.
"However, I impatiently wait to see its relocation to another place for the purpose of relocation," said Parliament member from Wellington Tamatha Paul, confirming that the figure initially shocked residents and they were left with an unprocessed hangover from the former president of the USA Donald Trump. The piece, called "Quasi," belongs to New Zealand artist Ronn van Hout, who lives in Melbourne and created a "partial self-portrait" for its installation in Christchurch after the devastating earthquake in 2011.
"I am sure it will eventually become boring. But let even the scariest characters come back there, from where they came, and now you just have to feel its absence to be able to reflect on it," said Judith Kook from the exhibition hall when "Quasi" flew away via helicopter to an undisclosed location in Australia. She added that it would be respectful to receive it because he "strongly influenced Wellington, provoking hot discussions about art, and continues to develop his huge personality, wherever he goes."
Since then, it has been considered “iconic” of the genre, achieving its goal as an artistic creation, said Paul, adding: “People have been strong-minded about it, and I believe that the essence of art consists of an openness for various interpretations of each, in love and disdain, which people crave."
"Quasi" has been on display for three years in the upper exhibition hall of the Christchurch Arts Centre before relocating to Wellington. The artist drew sharp criticism in the gallery, which felt he was obliged to provide 10 reasons why it should be removed, including that the palm in the piece "neglectfully and aggressively points to pedestrians and office workers."
Its appearance in the Wellington City Council in 2019 over the exhibition hall drew significant attention and was described by residents as "a cat-like son" or "an unattractive evil creature," while some believed it attracted people to the gallery.
Van Hout told Associated Press: "Everyone has their own conclusion." People expressed joy or sadness regarding its imminent departure through social media. He also highlighted the importance of diversity in our arts and creative projects in our city. Some were upset, hearing that the “stupid” and “off-putting” statue was leaving, while others wrote: “I will miss seeing your beautiful face, but it provokes irritation.”